{"version":"1.0","provider_name":"Sarah Roubato","provider_url":"https:\/\/dev.sarahroubato.com\/en","author_name":"Sarah Roubato","author_url":"https:\/\/dev.sarahroubato.com\/en\/author\/sarah\/","title":"Marion Cousineau : le spectacle de la fragilit\u00e9 - Sarah Roubato","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tsFS9K3eCP\"><a href=\"https:\/\/dev.sarahroubato.com\/en\/cequilsnousracontent\/marion-cousineau\/\">Marion Cousineau : le spectacle de la fragilit\u00e9<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/dev.sarahroubato.com\/en\/cequilsnousracontent\/marion-cousineau\/embed\/#?secret=tsFS9K3eCP\" width=\"600\" height=\"338\" title=\"&#8220;Marion Cousineau : le spectacle de la fragilit\u00e9&#8221; &#8212; Sarah Roubato\" data-secret=\"tsFS9K3eCP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/dev.sarahroubato.com\/wp-content\/uploads\/2017\/11\/marion-cousineau5.jpg","thumbnail_width":960,"thumbnail_height":709,"description":"Quand la derni\u00e8re note d\u2019une chanson r\u00e9sonne, les mains pr\u00eates \u00e0 applaudir restent suspendues. Elles attendent. Comme si elles allaient briser quelque chose. Les yeux restent fix\u00e9s sur cette main d\u00e9pos\u00e9e sur le manche de la basse ou sur le clavier du piano qui attend que la note finisse de r\u00e9sonner. Si quelques uns arrivent [&hellip;]"}